Erik Hawkins

More Than a Mashup

Erik Hawkins

A mashup (AKA bootleg) is taking two songs and beat-matching them together to create a new blended mix of both songs. For example, the classic mashup of Kylie Minogue’s “Can’t Get You Out of My Head” and New Order’s “Blue Monday.” It’s often done using full stereo mixes (with vocals), or, alternately, an a cappella and a stereo mix (possibly an instrumental). To hear a variety of well crafted mashups, check out Party Ben.

Mashups became such a hit on the dance-floor that some producers (such as Richard X) went on to remake parts of the original songs in order to clear the entire mashup for commercial release. For example, the 2002 UK hit by theSugababes, a combination of the lyrics from Adina Howard’s “Freak Like Me” and the music of Gary Numan’s “Are Friends Electric?”

The point behind my little history lesson is, you don’t always have to play a traditional instrument, or even record a track, in order to be wonderfully creative with music. I have the privilege of working with music production students at all levels of experience, some are seasoned musicians while others are just starting piano lessons. Obviously, for our production project in class, I expect students to create their own tracks, one way or another. It’s a snap for experienced players to record a performance, but a serious challenge for students just beginning an instrument to record something decent. As an alternative, I encourage the use of MIDI files, a cappella mixes, and sampling. (For educational purposes only, of course.) These resources can provide a signal and a musical performance with which to practice your production chops whether you play an instrument or not.

However, if you have never worked with samples or imported a MIDI file, taking advantage of these resources can be intimidating. One of the best ways I know to explain the whole process is to show you in a song. So, without playing a darn thing, just using my ears and production skills, I produced a mashup in Reason 4 using an a cappella, a MIDI file of a cover tune, and a sample of the original tune — all items I found for free on the Web. This mashup features Tone-Loc’s “Funky Cold Medina” and Kraftwerk’s “The Model.”

You can download the Reason 4 song file below (it’s about 8 MB) and explore the production, from its samples to its mix. To download an MP3 of the mashup, visit my myspace page.

Cold Medina Mashup

Erik Hawkins
Erik Hawkins

Erik Hawkins is a composer, producer, remixer, and author whose talents and technical expertise have leaders in the music industry calling him a "taste maker." He has worked with and remixed a variety of top artists, including Scatman Crothers, Irene Cara, Digital Underground, Conscious Daughters, Strypper, Brenda Russell, and DJ Sasha. His own progressive dance music tracks have been used by major television networks and film studios, including ABC, CBS, FOX, MTV, Nickelodian, and New Line Cinema. His articles and columns have been published in Remix, Mix, Electronic Musician, MC2, Keyboard, and DigiZine. He has also written several books, including The Complete Guide to Remixing (Berklee Press), and Producing Drum Beats (Berklee Press). His Berklee Online course, Programming and Producing Drum Beats, won the UPCEA Best Online Course Award for 2011.

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